E-Mu B-3 Specifikace Strana 133
- Strana / 196
- Tabulka s obsahem
- KNIHY
Hodnocené. / 5. Na základě hodnocení zákazníků
B-3 Operation Manual 125
Edit Menu
Keyboard Tuning
The Just C Tuning Tables
Well Tempered and Just were standard keyboard tunings up until the 20th-
century when the current “equal tempered” scale became prevalent. In an
equal tempered scale, the octave is equally divided into 12 parts. In Just or
Well Tempered scales, the 12 notes are separately tuned to produce pure
chords. However, in Just tunings you are limited to playing certain chords
and if you play the wrong chord it may sound very BAD!
B-3 implements the
MIDI Tuning Dump protocol
which allows you to create
tuning tables on your personal
computer and download them
via MIDI. There are several
computer applications available
on the internet which let you
create and download tuning
tables via MIDI.
B-3 allows you to modulate between keys by providing you 12 user tuning
tables. Tuning tables can be changed as you play using a program change
(create several presets with the same sound and different tuning tables), by
MIDI SysEx command (using a programmable MIDI footswitch or other
device), or using a continuous controller (link 2 presets and crossfade
between them using a controller). The Just C2, Just C min, Just C3 Tuning
Tables
These new tuning tables take the concept of just intonation a step beyond
previous E-mu products. Fully explaining the mysteries of just intonation is
beyond the scope of this manual, but the subject is covered exhaustively in
Hermann Helmholtz’s On the Sensations of Tone, available at most libraries
and bookstores.
The new tables are called Just C2, Just C3, and Just C Minor. Try playing in
the key of C/Cm using each table. You’ll quickly discover both the wonders
and the frustrations of just intonation! In Just C, for example, you’ll find
that the chords C, Em, F, G, and Am sound beautiful. If you hold one of
these chords, you’ll hear no “beating”. After playing for a few minutes,
switch back to Equal Temperament for a rude awakening!
At this point you might wonder why anyone would use Equal Temper-
ament to begin with. For the answer to that question, play a D, Dmi, or Bb
chord!.The intervallic ratios that make the C & G chords sound so pure
make the D chord sound horribly out of tune. That's why we had to include
Just C3. In this tuning, D, Dmi and Bb sound in tune, but the G chord will
sound wrong.
Each of the 4 tables allows you to play a different group of common chords
in just intonation. Sadly, there is no single 12 note tuning that will allow all
of the common chords to be in tune, and of course that's why they
invented the equal temperament tuning system that we use today.
Just C
Play these chords: C, E, F, G, A, Cm, C#m, Em, F#m,
Gm, Am
Just C2
Play these chords: C, E, F, G, A, B, C#m, D#m, Em, G#m,
Am, Bm
Just C2 minor
Play these chords: C, D
b
, D, E
b
, G, A
b
, Cm, Em, Fm, Gm
Just C3
Play these chords: C, D, F, B
b
, C#m, Dm, Em, F#m, G#m, Am
- OPERATION 1
- Operation Manual 2
- E-MU Systems 3
- Programming Basics 53 5
- Edit Menu 83 5
- Programming Tutorial 129 6
- B-3 Operation Manual 7
- Index 181 8
- Introduction 9
- Overview 10
- Important Safety 11
- Instructions 11
- Maintenance 12
- Save These Instructions 13
- Radio and 13
- Television 13
- Interference 13
- Foreign Language Warnings 14
- - German 14
- PERSONEN 15
- - French 17
- Interférences 19
- Radio et 19
- Télévision 19
- DECLARATION OF CONFORMITY 20
- B-3 Operation Manual 13 21
- Connection 22
- MIDI Out 23
- 16 E-MU Systems 24
- Connection Instructions 24
- Instant 25
- Gratification 25
- To Audition a Preset 26
- Bank Organization 27
- MIDI BANK SELECT 28
- Basic Operations 29
- 30
- Front Panel 31
- Controller 31
- To Quick-Edit a Preset 32
- KNOBS DEEP EDIT 33
- To Change the MIDI Channel 34
- To Change the Preset 34
- To Change the Channel Volume 35
- To Change the Channel Pan 36
- Navigator 37
- Multitimbral 38
- Operation 38
- Multisetup 39
- Restoring 40
- Multisetups 40
- RESTORE MULTISETUP 40
- 03 Jazz Encounter 40
- B-3 Operation Manual 33 41
- Sequencing 42
- Master Menu 43
- Defining 44
- MASTER VELOCITY CURVE 45
- MIX OUTPUT 46
- B-3 Operation Manual 39 47
- Master FXA 48
- Algorithm 48
- MASTER FXA ALGORITHM 48
- B-3 Operation Manual 41 49
- Selected 53
- 48 E-MU Systems 56
- MIDI Parameters 56
- B-3 Operation Manual 49 57
- Current Multisetup 58
- Program /Preset Map 58
- All User Tuning Tables 58
- Multimode Map 58
- SEND MIDI SYSEX DATA 59
- USER KEY TUNING Table:1 59
- Key: C1 Crs: 036 Fine: 00 59
- To Change the Master Tempo: 60
- Programming Basics 61
- Summing Nodes 62
- Modulation 63
- PatchCords 64
- Envelope 65
- Generators 65
- Frequency 67
- Oscillators 67
- LFO Synced to 1/4 Note Clock 69
- Destinations 70
- Processors 71
- Flip-Flop 72
- Quantizer 72
- Lag Inputs 72
- Preset Ramp 73
- Real Rocket Science 74
- Velocity ~ 75
- B-3 Operation Manual 69 77
- Preset Modulation Processors 77
- Dynamic 79
- Low Pass 80
- Amplitude 81
- Low Q Med Q High Q 81
- Parametric 83
- 76 E-MU Systems 84
- Dynamic Filters 84
- Z-Plane Filter 85
- MIDI Channels 86
- Real-time 86
- Controls 86
- B-3 Operation Manual 79 87
- Stereo Mix 89
- 82 E-MU Systems 90
- Stereo Mix Outputs 90
- Edit Menu 91
- PRESET NAME 92
- org: 8 0 8 0 8 8 0 6 3 92
- Four Layer 93
- Architecture 93
- Middle C 95
- C0 C1 C2 C3 C4 C5 C6 97
- Layer 1 Layer 2 98
- Fade Fade Switch 98
- Increasing Velocity0 99
- Layer 2Layer 1 99
- 92 E-MU Systems 100
- Edit Menu 100
- Defining Layer Parameters 100
- Switch Switch Switch 101
- Realtime Control Value 101
- 127112968064483216 101
- 94 E-MU Systems 102
- B-3 Operation Manual 95 103
- 96 E-MU Systems 104
- Tempo-Based Envelopes 105
- Key Down Key Released 106
- ASSIGN GROUP 109
- 102 E-MU Systems 110
- Filter Types 111
- Filter Parameters 114
- Envelope Repeat 115
- To Turn on Envelope Repeat: 115
- Defining the Filter Envelope 115
- 108 E-MU Systems 116
- Auxiliary Envelope 116
- LFO Tricks & Tips: 117
- 0 118
- Variation 120
- Control Value Applied 122
- LFO 1 & 2 Trigger 123
- Parameters 125
- Jack Detect 126
- FXA ALGORITHM 127
- Lg Concert Pan 127
- B Effect Types 128
- Initial Controller 131
- INITIAL CONTROLLER AMT 131
- The Just C Tuning Tables 133
- Just C2 minor 133
- 126 E-MU Systems 134
- Preset Links 134
- B-3 Operation Manual 127 135
- Preset Tempo Offset 135
- 128 E-MU Systems 136
- Play Solo Layers 136
- Programming Tutorial 137
- 130 E-MU Systems 138
- Editing Presets 138
- To Chorus a Layer 139
- To Setup the Volume Envelope 140
- B-3 Operation Manual 133 141
- Adding the Filter Envelope 142
- To Setup the Filter Envelope 142
- Instrument 143
- Changing Filter Types 144
- Linking 147
- 140 E-MU Systems 148
- Linking Presets 148
- Effects 149
- 142 E-MU Systems 150
- Effects Overview 150
- A Effect Types 151
- High Frequency Damping 152
- Feedback 152
- LFO Rate 152
- Programmed 153
- 146 E-MU Systems 154
- Master Effects 154
- Flexible Effects 156
- “multi” for the mode 157
- FX MULTIMODE CONTROL 158
- Effect B 159
- Effect A 159
- General Effect 160
- Descriptions 160
- B-3 Operation Manual 153 161
- General Effect Descriptions 161
- 154 E-MU Systems 162
- Save/Copy Menu 163
- Copying 164
- Information 164
- L1 -> L4 165
- To Copy a Preset Bank 166
- To Create a Random Preset 166
- To Copy a User Bank to Flash 167
- 162 E-MU Systems 170
- Copying Information 170
- Appendix 171
- B-3 Preset 172
- Nomenclature 172
- Preset Catagories 173
- Riff Listing 176
- Instrument Listing 178
- B-3 Instrument 178
- Velocity 179
- 172 E-MU Systems 180
- Velocity Curves 180
- PatchCord 181
- Amount Chart 181
- MIDI Implementation Chart 182
- Bn 00 bb 184
- Bn 20 bb 184
- Technical 185
- Specifications 185
- Warranty 186
- Restrictions 186
- How To Obtain 186
- Warranty Service 186
- Personnel 187
- Equipment 187
- 180 E-MU Systems 188
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